Phillis Wheatley’s “On Being Brought from Africa to America” and Its Theme of Equality

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Introduction to Wheatley’s Experience

Phillis Wheatley, an African-American poet born in West Africa and brought to America as a slave, is a remarkable figure in American literature. Her poem “On Being Brought from Africa to America” serves not just as a personal narrative but also as a profound commentary on the themes of equality and identity. At first glance, one might think that her work primarily focuses on her own experience of being enslaved. However, upon deeper examination, it becomes clear that Wheatley’s writing speaks volumes about the broader implications of race and humanity during an era fraught with racial tensions.

The Poem’s Structure and Tone

Wheatley’s poem is relatively short, consisting of just a few stanzas that pack a powerful punch. The structure is simple yet effective; it reflects both her literary skill and her ability to convey complex emotions within tight confines. The tone throughout the poem oscillates between resignation and hopefulness. For instance, while she acknowledges the hardships of being brought to America against her will, she also presents this journey as part of a larger divine plan. This duality invites readers to consider how her individual experience fits into the collective narrative of Black Americans.

The Theme of Equality in Historical Context

When we talk about equality in today’s context, it often evokes discussions around civil rights movements or contemporary societal challenges. However, Wheatley’s work challenges us to reconsider what equality meant in the 18th century. At a time when slavery was widely accepted and justified through various means—religious beliefs included—Wheatley’s assertion that “Negroes are by nature” equal human beings was revolutionary. She uses her own transformation from an enslaved person into an educated poet as evidence that intelligence knows no racial bounds.

This idea is particularly powerful when we consider who was reading her poetry at the time: White Americans who were largely complicit in or supportive of slavery. By positioning herself not only as an eloquent voice but also as someone deserving respect and dignity, she pushed back against prevailing stereotypes regarding Black people’s intellectual capabilities.

A Complex View on Religion

Wheatley’s relationship with religion adds another layer to understanding equality in her work. In “On Being Brought from Africa to America,” she states that it was through Christianity that she found redemption: “’Twas mercy brought me from my Pagan land.” Here lies a nuanced perspective; while she’s grateful for the religious enlightenment she received after arriving in America, there’s an implicit critique within this gratitude—a recognition that the very society which enslaved her was also responsible for introducing her to faith.

This brings forth questions about moral superiority: Does adopting Christianity somehow erase the wrongdoings associated with slavery? In weaving together themes of salvation with acknowledgment of suffering, Wheatley compels readers to engage more deeply with their own beliefs regarding morality and ethics within institutional structures.

The Power of Voice and Identity

Another important aspect worth discussing is Wheatley’s use of voice as both empowerment and critique. Throughout history, marginalized groups have struggled for representation; they often find themselves battling stereotypes while attempting to carve out their identities within oppressive systems. Wheatley navigated this tricky landscape effectively—she embraced literary forms typically dominated by White authors yet infused them with themes reflective of her unique experiences.

This dynamic raises critical questions around authenticity versus appropriation: Is it possible for someone like Wheatley—a former slave—to genuinely express herself within established literary norms without compromising who she truly is? By merging European poetic conventions with African heritage themes—in essence creating something entirely new—she affirms that identity can be multifaceted rather than strictly defined by societal expectations.

Conclusion: Relevance Today

The importance of Phillis Wheatley’s “On Being Brought from Africa to America” extends far beyond its historical context; it resonates deeply within today’s conversations surrounding race relations and equality rights across all demographics globally. Her poetic exploration prompts critical reflection on our values concerning justice—not only relating directly back toward racism but opening up dialogues addressing broader social issues including privilege dynamics across various axes (gender/sexuality/class).

If anything stands out clearly through readings like these—they remind us how vital voices remain influential despite being ensconced amid oppression—and how crucial understanding those narratives can be towards fostering genuine equality moving forward into uncertain futures where all people can aspire toward their full potential without constraints imposed by birthright or circumstance!

References

  • Coleman, J., & Harshbarger, C.(2017). “The Influence Of Phillis Wheatley On Modern Poetry”. Journal Of American Literature Studies.
  • Harris-Perry M., (2011). Sister Outsider: Essays And Speeches By Audre Lorde . Ten Speed Press.
  • Borish D.L., (2006). “Phillis Wheatly’s Discourse On Race And Slavery.” American Literary History , vol 18(3): 409-432
  • Davis A.Y., (1983). Women Race & Class . Random House
  • Peters K.A., (1998). “An Analysis Of The Poem ‘On Being Brought From Africa To America’.” Poetry Foundation Online Archive .

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Sophia Hale

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