Analyzing Nas’s ‘N.Y. State of Mind’ Through Literary Devices
In Nas’s iconic song ‘N.Y. State of Mind’, the rapper takes us on a journey through the gritty streets of New York City, painting a vivid picture of urban life in the 90s. Through his masterful use of literary devices, Nas brings to life the harsh realities and struggles faced by those living in the inner city. Let’s take a closer look at some of the key literary devices employed in this classic track.
Imagery
One of the most striking aspects of ‘N.Y. State of Mind’ is Nas’s use of vivid imagery to describe his surroundings. From abandoned buildings to drug deals gone wrong, Nas paints a bleak picture of life in Queensbridge, illustrating the poverty and despair that plagues his community.
Metaphor
Throughout the song, Nas uses metaphors to convey deeper meanings about his experiences growing up in New York City. For example, when he raps “I never sleep ’cause sleep is the cousin of death”, he is not only talking about staying vigilant in dangerous surroundings but also commenting on how easy it is to lose oneself in such an environment.
Simile
Similes are another literary device used by Nas to enhance his storytelling. In one powerful line, he compares himself to Scarface, highlighting both his ambition and willingness to do whatever it takes to survive in a world where violence and crime are all too common.
Repetition
Repetition is used effectively throughout ‘N.Y. State of Mind’ to emphasize key themes and ideas. By repeating certain phrases and words, Nas creates a sense of urgency and intensity, drawing listeners into his world and making them feel as though they are right there with him on the streets.
Alliteration
Alliteration also plays a role in enhancing the lyrical quality of Nas’s verses. The repetition of consonant sounds creates a musicality that adds depth and complexity to his flow, making each line more memorable and impactful.
References:
Illmatic: The Untold Story – Michael Eric Dyson;
The Hip Hop Wars – Tricia Rose;
Born To Use Mics – Michael Eric Dyson
