Social Class and Its Role in Shakespeare’s Comedy of Errors

823 words, 2 pages, 4 min read
Table of content

When diving into the world of Shakespeare, one might think immediately of grand tragedies or noble characters facing their destinies. However, in “The Comedy of Errors,” we are presented with a delightful mix of confusion, mistaken identities, and yes, social class dynamics that add layers to this comedic tale. This play not only entertains but also provides insightful commentary on social structures during the Elizabethan era. Let’s unpack how social class plays a crucial role in shaping the narrative and interactions among characters.

The Framework of Social Class in Elizabethan Society

To understand the nuances of “The Comedy of Errors,” we must first recognize the societal framework that Shakespeare was writing within. The Elizabethan era was marked by a rigid social hierarchy where status dictated one’s rights, privileges, and even personal relationships. At the top were the aristocrats and landowners, followed by merchants, craftsmen, laborers, and finally beggars. Each class had its roles and expectations which were typically accepted without question.

In “The Comedy of Errors,” Shakespeare cleverly plays with these class distinctions through his characters. The two sets of twins—Antipholus of Syracuse and Antipholus of Ephesus—along with their respective servants Dromio—are at the heart of this comedy’s exploration of identity and status. The interactions between these characters reveal much about how social class informs relationships and perceptions.

The Antipholus Twins: Identity Crisis Across Class Lines

At first glance, both Antipholus twins seem to occupy similar positions within their respective worlds: they are masters with servants who rely on them for employment and sustenance. However, when Antipholus of Ephesus is mistakenly identified as his brother from Syracuse by others in Ephesus—a city rife with confusion due to mistaken identities—we see how fluidly social class can shift based on perception.

This interplay becomes increasingly comedic as misidentifications lead to dramatic situations where each twin experiences aspects from another’s life perspective. For instance, while Antipholus of Ephesus enjoys a certain level of respect due to his established position in Ephesus society—as indicated by his dealings with merchants—the arrival of his twin shakes things up drastically. What’s fascinating here is how quickly societal norms can become irrelevant when faced with chaos; all it takes is one case of mistaken identity for an aristocrat to be treated like a servant—or vice versa!

Dromio: The Servants’ Commentary on Class

The Dromios serve as more than just comic relief; they provide significant commentary on social class dynamics through their dialogues filled with wit and sarcasm. Although they are portrayed as lower-class servants bound to follow their masters’ orders, Dromio’s perspective allows us glimpses into how they navigate life within strict societal confines.

For instance, throughout the play, Dromio expresses frustration at being treated poorly despite serving an esteemed master like Antipholus. His frustrations often highlight the absurdity within their society’s hierarchy—such as when he gets beaten for something he didn’t do or is expected to bear more than his fair share simply because he’s labeled ‘the servant.’ These moments not only add humor but also encourage audiences to reflect on issues related to inequality that transcend time.

Mistaken Identities: A Level Playing Field?

What’s particularly intriguing about “The Comedy of Errors” is how mistaken identities create a temporary suspension from rigid class boundaries; once everyone starts confusing who belongs where in terms of status (notably thanks to both sets of twins), we witness moments where class seems irrelevant altogether.

This occurs most vividly during scenes where neither master nor servant knows who belongs to whom anymore—the chaotic situation results in chaos not just physically but socially too! Herein lies Shakespeare’s genius: he uses comedy not merely for laughter but rather as a vehicle for questioning deeper societal norms around identity formation influenced heavily by one’s station in life.

Conclusion: Lessons Through Laughter

“The Comedy of Errors” gives us a whimsical yet profound examination into social classes through its antics revolving around mistaken identities among two pairs involving members across different levels within society—a rich tapestry woven together seamlessly through humor! While audiences may initially revel at farcical escapades unfolding before them—it subtly urges reflection upon ongoing issues regarding identity tied deeply into our own contemporary world views regarding privilege vs oppression along lines dictated primarily by economic circumstance alone.

The joy found throughout this play remains timeless; it showcases humanity’s follies while inviting audiences today (and those back then) alike towards recognizing equality lies beyond mere appearances bestowed upon people based solely off arbitrary societal constructs determined largely during any given era—including our own!

  • Shakespeare, William. “The Comedy Of Errors.” Edited by J.J.McCullough & Kenneth Muir.
  • Greenblatt Stephen et al., eds. “The Norton Shakespeare.” W.W.Norton & Company Inc., 1997.
  • Kahn, Coppelia S., “Making Sense Of Mistaken Identities In A Comedy Of Errors.” University Presses 2000-2023
  • Bullough Geoffrey (Ed). “Narrative And Dramatic Sources Of Shakespeare.” Columbia University Press 1957-1985

Learn the cost and time for your paper

1 page (275 words)
Deadline in: 0 days

No need to pay just yet!

Picture of Sophia Hale
Sophia Hale

This essay was reviewed by