The Role of Logos in Bryan Stevenson’s “Just Mercy”

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Throughout Bryan Stevenson’s “Just Mercy”, the use of logos plays a crucial role in conveying his powerful message about justice and inequality in the criminal justice system.

1. Providing Evidence

Logos, or logical reasoning, is used effectively by Stevenson to provide concrete evidence and statistics to support his arguments. By incorporating facts and data into his narrative, he is able to make a strong case for reforming the justice system.

2. Building Credibility

By using logos, Stevenson also builds credibility as a lawyer and advocate for social change. His logical arguments demonstrate his expertise on the subject matter and persuade readers to trust his analysis of the issues at hand.

3. Appealing to Reason

Stevenson’s use of logos appeals to readers’ sense of reason and logic. By presenting rational arguments based on evidence, he challenges readers to think critically about the injustices depicted in the book.

4. Creating Persuasive Arguments

The logical appeals in “Just Mercy” help Stevenson create persuasive arguments that are difficult to ignore. Through clear reasoning and logical structure, he convinces readers of the urgent need for criminal justice reform.

5. Encouraging Action

Ultimately, Stevenson uses logos to encourage action among readers. By presenting logical arguments backed by evidence, he motivates individuals to take a stand against injustice and work towards creating a more just society for all.

In conclusion, logos plays a vital role in Bryan Stevenson’s “Just Mercy” by providing evidence, building credibility, appealing to reason, creating persuasive arguments, and encouraging action towards positive change in our criminal justice system.

References:

“The New Jim Crow” by Michelle Alexander
“Criminal Injustice: Confronting The Prison Crisis” by Elihu Rosenblatt
“Innocent: Inside Wrongful Conviction Cases” by Scott Christianson
“Locking Up Our Own: Crime And Punishment In Black America” by James Forman Jr.

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Sophia Hale

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